City
of Ghosts focuses on a conman named Jimmy (Dillon) who is working in New York City.
After being questioned by the FBI about being involved in a Ponzi scheme Jimmy heads
to Thailand to find his mentor Marvin (Caan), who just so happened to flee the
country before questions started getting raised. Through a series of
connections he finds himself traveling to Cambodia to track down Marvin. When Jimmy
finally arrives there he enters a world of poverty, uncertainty, and danger.
The only person he can trust is a loyal cyclo driver named Sok (Kem Sereyvuth).
A game of cat and mouse evolves between Jimmy and Marvin that keeps the former
guessing. Along the way, shady characters pop up making the audience ponder
whether Jimmy will meet death or barely escape with his life.
Dillon
is the focal point of the film and quite convincing as a confused criminal
searching for his thieving partner in crime. When Caan does finally appear on
the silver screen he is perfect as shadowy Marvin, a thief who knows much more
than he will ever let on. If you give some people an inch they will take a
mile. Caan’s character will take two miles! Stellan Skarsgård and Kem Sereyvuth
deserve praise for both of their roles. They were strong supporting actors that
helped us kind of-sort of sympathize with conman Jimmy. Gérard Depardieu is
hilarious as a fuming Frenchman who only wants to be left alone to run his
hotel. Natascha McElhone is a great actress but the romance between Dillon’s
character and hers is rather flat- similar to the end of a summer tryst. Adding this angle was close to pointless.
Overall, my expectations were fulfilled. As I mentioned before, the script’s plot
suffers more than the performances.
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The
music in this film was dissonant and at times overwhelming. There was no
harmony. I don’t know who wrote the score but it seemed like all the music was
similar and there was never a moment where the music was calming or pleasant. I’m
sure on some level, the music did help layer this story but from my perspective
it was very difficult. I can only remember being satisfied with the ending
soundtrack. The shots in this film were pretty basic. A series of close-ups,
wide shots, 2 shots, and various other viewpoints were taken. The director of photography
certainly deserves praise for the aesthetic of the film. Cambodia was put on
display in a beautiful yet humanizing fashion.
I
won’t lie to my audience. I’m not going to rave about this film. It’s not horrible…
but it’s not great. It’s just somewhere in between. I suppose I would encourage
people to see this film if they’d enjoy seeing what it’s like to shoot “on location.”
In this sense, City of Ghosts has the
same appeal as Slum Dog Millionaire
or The Kite Runner. Just less complex
and with a much poorer storyline. In the end, Dillon’s film is promising but
never lives up to anything.
6 out of 10